contax tix + fuji nexia 200

so, i won’t even get into the whole aps film being a few years too late to save film from the digital take over, blah blah blah… because you can find that all explained in detail elsewhere. i just get on these kicks of searching for weird shit on the internet and decided to try an aps camera out. i liked the idea of having a camera i could use and have the results converted to smaller 5×7 prints. which, happens to be where the totally irrelevant aps format shines. when i got these prints back, i was floored at the sharpness/lighting/tone accuracy of them. it gave me that feeling of going back in time and reliving the moments where i took the photos, some shit that only seeing your photos in print can do. obviously this contax tix (basically a contax t3 but for aps film) is the reason behind all of that and right now they’re still pretty cheap for what you get. i stocked up on about 12 rolls of 40 exposure fuji nexia 200 (the best aps film there is) and after getting this back, will probably buy a dozen or so more to keep me going for a few years. it’s a finite resource and i’ve accepted that this beautiful titanium mini-t3 will be a shelf ornament soon, but for now i’ll keep shooting it. development and print’s done by dwayne’s photo. prints scanned in on my epsom v600 at 1200 dpi.



put a roll of provia 100f through my fuji ga645zi, and one of the first rolls developed at home (in fucked up chemicals that got mixed wrong). so there is a lot more forgiveness in the development process than i thought! most of the roll is from wandering around a ‘pull a part’ junk yard. some old transit busses and nice colors for slide film. the medium format slides look so rad in person. i spend more time than i’ll admit looking at them all on a light board. so now i have to figure out how to get out of this “i only want to shoot slide film” phase that i’m in. peace.



















with the amount of time spent learning how to do all this film processing, trying to do things in the most efficient and correct ways, making mistakes, figuring out how to fix or compensate for those mistakes. i’ve learned to even more appreciate music. a lot of these are throwbacks of some of the first bands that got me into post-rock/ambient music, but they still resonate with me. so here’s memorytapes:two, hope you enjoy.

citrus county speedway

my film advance has been acting weird lately, so i only got thirteen shots on this roll. anyways, this is fresh fuji 160ns shot through my fuji ga645zi over the course of a day spent with my best friend in the back country of florida. towards sunset, we ended up at the citrus county speedway for some real florida man style racing, and it was a pretty fucking awesome. a guy there even told us that “shit is much more simple here” and i’m not mad at that.















i know i’m just a memory

all of these were shot on a contax g1 / carl zeiss 45mm planar over the course of (i hate to say it) about five months. processed at home. negatives scanned with a nikon coolscan v ed. for whatever reason, the g1 kit didn’t feel right for me when i first started using it, so i put it away for awhile. these photos are so sharp for 35mm – and i see the hype around the lens now: it’s so sharp and versatile. typically a 45mm lens would be too ‘close’ for me, but it’s helped me work on composing shots a little differently. you’ve got to work a little harder to fit what you want in the frame, but i think i’m okay with that.

i’m still trying to find the direction i want to take this. it’s turning out harder than i expected to do anything but just post photos. i’m so jaded by seeing people try so hard, to ‘create content’. even in the film community, they obsess over instagram. i never wanted to put all this time and effort into photos that would be looked at for a quarter of a second, double tapped, and then never looked at again. fuck that, that isn’t me. i want to live my life and take photos of the people/places/things that make it worth remembering. i want to take better photos. i want to try new development methods, learn how to shoot long exposures without blowing the lights out so fucking bright, publish my photography in print on the walls of my favorite places, make a photo-book. i just want to keep learning. so for now, all that makes sense is to keep taking pictures.


















unknown b/w 400

lance threw jeremy and myself a roll of some old stock film he brought home from europe. from what he was told, it was used as ‘spy’ film in world war 2. hand-rolled for around twelve exposures (i ended up getting fifteen) and then developed in caffenol in the dark room. shot with an olympus xa2 (thanks dylan) and scanned in on a nikon coolscan v ed at 4000dpi. the tones are interesting, but i would of liked to see these photos done in a ‘proper’ developer.