i hope you all are continuing to stay safe. a lot of people are going full tilt back to their version of normalcy. i’ve continued to keep my social interaction very small, and i hope you all are as well. without a doubt, this has made me realize that i am extremely blessed to be able to work at home – as much as it sometimes can get to my mental health – my income hasn’t stopped, and i can work in a safe environment. for that, i am extremely thankful – almost thankful to the point of feeling guilty. i’ve been finding joy in those moments that i give myself to go out, be in my own head, and create images. if i have a day off, or work gets done early – i’ve been just picking a spot on google maps, and driving there with a camera. this playlist is something i put together that sort of captures what i’ve been listening to in those moments.
Tag: bessa r3m
the earth is not a cold, dead place
when i think back on the last month and a half, i can’t seem to remember one particular thing. it’s been a consistent rush of feelings: anger about not being able to see my daughter as consistently as she’s used to, being scared for my girlfriend’s well-being who was still in new york when things started getting really bad, sadness over the strained relationships with all of my grandparents and their safety during this, anxiety over the security of my job that i’ve been at for not even three months, and even feeling like a selfish jerk for having anxiety over that when so many of my friends (and even family) have been furloughed or laid off from their jobs. usually, it’s easy for me to look back over my last few rolls of film and remember all of the memories that accompany the images. the good and bad ones, but right now even though it’s hard to feel how those memories felt, i see the happiness in my daughters face, the genuine smile on my face when i’m next to the girl i love, and the hope that my newly married friends have for their future together. these were all taken over the last two months from a variety of cameras: bessa r3m, olympus mju, fuji gas645 on a bunch of different film stocks.
if anyone wants or needs to talk, i’m here. just shoot me an e-mail: ryan at thelendingside (dot) com. stay well (and stay home).
memorytapes:seven
i wish i had the tools
or the knowledge to know
how to measure
the space you’ve claimed in my chest
a quarry, it seems
it’s a space just for you,
filled with memories
gone
why do
people always say
“it feels like
a lot of time has passed”
but when i look
into a mirror
i never see yesterday
*
i felt more purpose in spending my mental capacity on the thoughts of being a better father, a better friend, even a better reader. rather than focusing on social media and partaking in the endless scrolling. i would be lying if i said i didn’t get derailed by the attention my photography received, by the people i met all around the world through our similar interests. i started to learn how to be relevant on the internet. it made me feel good, temporarily. making sure i posted every other day to stay in the algorithm, using the right hash tags, posting at the peak hours, all that shit. for what? to have my photographs be seen for a fraction of a second by people that i would never meet or even have any real interaction with? all the gratification i received at the end of the day, through instagram, meant nothing to me. it was sort of a false inspiration to keep doing what i was doing but not without also making me feel distracted and starting to take photographs of what i knew other people would want to see. i realized that sharing my photos in person, even though i left no trace of how to contact me, or who i was, felt better. knowing that the people who took the time to look, knew the street names, the architecture, the laundromats and their neon lights, the feel of our city. a place that we all dwell together. thats the gratification i want. that is what i want to take photographs of. i want to make connections and have conversations with the people that connect with me on a deeper level. it’s so easy and cheap to create things for the sake of attracting a “following”. i cannot imagine being one of those people who saw that as a viable source of income, or could feel comfortable selling out for ad revenue or click through revenue. now there’s ads for these fucking people to teach you how to make money off making dumbass youtube videos. i cannot believe this is even real.
we are not here for long, if the whatever medium you use, whatever you’re trying to create is for anything other than representing of the ups and downs of your life to the people in your real life, you’re selling yourself short.
photographs were taken with a bessa r3m + zeiss 35/2 on fuji superia 400/cinestill 50d
bessa r3m + portra 400
after work, i ride my bike downtown. i walk around and get my mind off of work/life/shitty people. i shoot a roll of film and listen to music. observing the city to my own track list. even though at this point it’s all familiar to me, i take it in. hoping to be changed by something or someone. lately, i’ve been inspired on how i don’t want to live my life: glued to my phone, too busy peering into someones perfect life to live my own. so here i am, further motivated to live my own life. to catalog it in writing and photographs. ones that will help me remember my good and bad days. i’m still learning the concept of a home. having my own, and being at peace when i’m here. it’s important for not only me, but for avery to have a place that can’t get taken away from us. i see so many people (even friends) fighting a constant battle with always having to be somewhere new. to prove how exciting their life, and masking running away from their real life under the trigger word, wanderlust. we’re meant to root.
the photographs below were taken with a bessa r3m, a mix of glass (zeiss 35/2 + nokton 40/1,4), with portra 400, developed and scanned at home.